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The Opposing Shore, by Julien Gracq
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With four elegant and beautifully crafted novels Julien Gracq has established himself as one of France's premier postwar novelists. A mysterious and retiring figure, Gracq characteristically refused the Goncourt, France's most distinguished literary prize, when it was awarded to him in 1951 for this book. As the latest work in the Twentieth-Century Continental Fiction Series, Gracq'a masterpiece is now available for the first time in English.
Set in a fictitious Mediterranean port city, The Opposing Shore is the first-person account of a young aristocrat sent to observe the activities of a naval base. The fort lies at the country's border; at its feet is the bay of Syrtes. Across the bay is territory of the enemy who has, for three hundred years, been at war with the narrator's countrymen; the battle has become a complex, tacit game in which no actions are taken and no peace declared. As the narrator comes to understand, everything depends upon a boundary, unseen but certain, separating the two sides. Besides the narrator there are two other main characters, the dark and laconic captain of the base and a woman whose compex relations to both sides of the war brings the narator deeper into the story's web.
For many French readers The Opposing Shore (published as Le rivage des Syrtes ), with its theme of transgressions and boundaries, spoke to the issue of defeat and the desire to fail: a paticularly sensitive motif in postwar French literature. But there is nothing about the novel tying it either to France or to the 1950s; in fact, Gracq's novel, with its elaborate, richly detailed prose, will be of greater interest now than at any point in the last twenty years.
- Sales Rank: #482494 in Books
- Published on: 1986-05-15
- Original language: English
- Number of items: 1
- Dimensions: 8.50" h x .68" w x 5.50" l, .70 pounds
- Binding: Paperback
- 213 pages
From Publishers Weekly
In this surrealist novel, winner of the Prix Goncourt, young nobleman Aldo feels the lure of a forbidden country hostile for 300 years to his own city-state. PW stated that "Gracq's hypnotic dreamworld, its richly coiling and textured prose, holds the reader in its strange spell."
Copyright 1987 Reed Business Information, Inc.
From Library Journal
The "opposing shore" is uncivilized Farghestan, which faces decadent Orsenna across the desolate and marshy Bay of Syrtes. Gracq's most famous novel, published in France in 1951, posits a somnolent war of three centuries' duration between the two Mediterranean states. At long last a restless Orsennian opens "one of those doors you pass through in dreams" to provoke his hereditary enemies to action. By novel's end the barbarians are at the gate. Gracq's is a 20th-century vision of decay expressed in the lapidary style of an earlier age, a masterpiece of atmosphere and indirection. Highly recommended for collections of modern literature. Grove Koger, Boise P.L., Id.
Copyright 1986 Reed Business Information, Inc.
Language Notes
Text: English, French (translation)
Most helpful customer reviews
33 of 33 people found the following review helpful.
The Masterpiece
By N N Taleb
Until I read this book, Buzzati's "Il deserto dei tartari" was my favorite novel, perhaps my only novel, the only one I cared to keep re-reading through life. This is, remarkably a very similar story about the antichamber of anticipation (rather than "the antichamber of hope" as I called Buzzati's book), but written in a much finer language, by a real writer (Buzzati was a journalist, which made his prose more functional) ; the style is lapidary with remarkable precision; it has texture, wealth of details, and creates a mesmerizing atmosphere. Once you enter it, you are stuck there. I kept telling myself while reading it: "this is the book". It suddenly replaced the "deserto".
A few caveats/comments. First, I read it in the original French Le Rivage des Syrtes (French Edition), not in this English translation, but I doubt that the translator can mess up such a fine style and the imagery. Second, the blurb says Gracq received the Goncourt prize for it. Julien Gracq REFUSED the Goncourt, he despised the Parisian literary circles and by 1951 decided to stay in the margin. He stuck to his publisher José Corti rather than switch to the fancy Gallimard after his success (as Proust did) (or other publishing houses for the fakes and the selfpromoters). Third, this book came out a few years after Buzzati's "deserto", but before Buzzati was translated into French. I wonder if Gracq had heard of the "deserto"; the coincidence is too strong to be ignored.
11 of 12 people found the following review helpful.
A jewel
By zanzibar@injapan.net
I read the original in French "Le Rivage des Syrtes", poetic, refined, passionate, with chiselled descriptions of landscapes -Gracq is originally a geographer. The whole novel is permeated with an atmosphere of new age poetic doom. It is related to Dino Buzzati's Desert, and was written in approximately the same time (pre war Europe when barbarians were at the gate) but has more depth, more warmth and wealth of details and emotions. Le Rivage des Syrtes is also a jigsaw of geographical and historical references drawn from Persia, Egypt and Venice - reflecting the neverending conflict between civilisation and barbary. But who is who ? This book deserves more international exposure. Read it, it is mesmerizing. The French editor - Jose Corti - sells it with pages which you have to cut open, adding charme to the journey into Gracq's mythic world.
8 of 9 people found the following review helpful.
Majestic in scope and form
By Manuel Haas
Even in translation you can feel the lyrical intensity and beauty of this novel which creates an atmosphere of tension which no reader will forget easily: Aldo, a young nobleman, has had enough of the decadence of his native Vezzano, a fictitious republic modeled on Venice. He has himself posted to a navy base which was once built to defend Vezzano against Farghestan. The two powers are still officially at war, but nothing has actually happened for 300 years. Now, however, there is a growing tension, not just inside Aldo, who dreams of the unknown Farghestan. People in Vezzano seem to be tired of its eternal stability, they long for action...
Most of the novel's plot takes place near the old navy base, which is surrounded by a desert landscape which is described with mesmerizing intensity. Little incidents are building up towards an explosion which is only hinted at in the book. People waiting for something to happen in a more and more uncanny slience - that may remind the reader of the fact that the book was written before and during World War II. The decadence longing for action, danger and change, however, seems to me reminiscent of World War I. This is not a book of easy historical analogy. It is a unique work of art which stands completely on its own.
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